![]() |
Home Down Memory Lane Blaeberry Sunday Clanvaraghan Drumaroad bazaar Drumnaquoile GFC 1924 Drumnaquoile Cross Meet the old Folks Slieveniskey Poem Slieveniskey Tug-of-War The Mystic Bell E-mail us at: info@drumaroadhistory.com Call us at: +44(0)028 437 50901 Write to us at: Patrick Clarke 8 Carrigard Newcastle Dundrum Co Down Northern Ireland BT33 0SG |
"Meet the Old Folks"In the 1960's the Mourne Observer published a weekly feature called "Meet the Old Folks". The popular weekly feature interviewed various local people across County Down who had memories and stories of their local area. One such person who gave a rare interview was the late Mr. John Milligan from the townland of Dunturk. Mr. John Milligan was described by the Mourne Observer as a person who had remarkably retentive memories, and who could recite poems and stories without the aid of written word. The following is an extract from two interviews with Mr. John Milligan of Dunturk, which were published in the Mourne Observer in May 1960. "Mr. Milligan takes an especial pride in poems which were composed by a local farmer and school attendance officer, the late Tom Rogan of Drumnaquoile. Though he only had an elementary school education, Tom the Poet (as he was generally known) could compose verse "as fast as you could walk". Unfortunately there is no written record of Tom's poem, and it gave me much pleasure to write down a few of his compositions from Mr. Milligan's dictation, so that they may be preserved-as I feel sure they may be, by local readers especially. But before we enter upon the poems, a word about Mr. Milligan himself. You wouldn't think that this big fresh looking man had been born 83 years ago-on February 5th 1878, to be exact. He enjoys good health, takes a keen interest in current affairs, and is an entertaining conversationalist with a fund of good stories-inother words, as they say in the country, "he's the heart o'corn." Born and reared in Dunturk he went for a time to Drumaroad school and then to Guiness school. The principal at Drumaroad then was Mr. Byrne from Newry, and Mr. and Mrs. James Lundy taught in Guiness. Mr. Milligan was able to recall the long succession of teachers in both schools to the present day principal of Drumaroad who is Mr. Fitzpatrick from Kilkeel; and at Guiness, Mrs. G Liddy and Miss Marie O'Neill (the latter resides with the Milligan family). Mr. Milligan was one of a family of two boys and six girls. His brother, James now deceased, lived in Ballymacaramery, Ballynahinch, and off his sisters who went out to the U.S.A. His parents were born in the one year-1833-and they died at the age of 83 within hours of each other, and together they were laid to rest. In the following year-1917-Mr. Milligan and Miss. Margaret Small of Cloughram, Dundrum, were united in holy matrimony in Ballykinlar Church by the late Fr. O'Hara P.P. They have a family of two sons and three daughters. Of the sons, John is at home, while James is married and resides in Belfast. The daughters are - Mrs. Thomas Jennings, Guiness; Mrs. Dan Flynn, Crossgare, Dromara; and Mrs. Vincent Hunter, U.S.A., who was home on holiday two years ago with her husband and famiy. There are seventeen grandchildren. Mechanisation was a word unknown to farming in Mr. Milligan's young day, and the chief harvesting and thrashing implements were the scythe and flail, and even he remembers quite a lot of the harvest being suck by the sickie. He remembers as a boy going with his father with pork to Belfast market. They put the horse in a place called McManus's yard, sold the pork, then yolked the horse and delivered the pork to the butcher. He himself often took pork to Belfast market, leaving home at 11 o'clock at night to be at the market before daylight. People kept pigs till they were about 3 cwt. in those days. Long treks with horses were nothing then. "I used to draw lime from Knocknadonnagh in Co. Antrim", he said "I would leave here about 10 o'clock at night and would be back home the next night. Sometimes the lime would be so hot in the cart, that I would have to walk most of the road home." SLIEVE CROOB From the twelve cairns on Slieve Croob, highest of that range of foothills of the Mourne Mountains which overlook the village of Dromara, is one of the finest views obtainable from anywhere in Northern Ireland. "Have you ever been up there?" Mr. Milligan asked me. I confessed I hadn't, though I had been up to the Legananny Dolmen, over the Windy Gap and along part of The Rib. Well says he, from the twelve cairns on a clear day you could see with the naked eye Lough Neagh, Belfast Lough, Carlingford Lough, Scrabo Tower, the full range of the Mourne Mountains, the coastline from Warrenpoint to Co. Antrim, and if you knew where to look you could pick out Armagh Cathederal. On the first Sunday in August ever year the people used to come from miles around and go up the mountain to gather blaeberries, and on a level piece of ground there they would have a great afternoon's sports and games. It was called Blaeberry Sunday. The young fellows and girls would form a ring and there would be tigging and other games. The men would vie with each other in feats of strength including distance throwing of boulders. One year a Miss. Bridget Goodman, who mother was reared in Dunturk, came home on holidays and was so delighted with the view from Slieve Croob that she asked Tom Rogan if he would compose a few verses about it. Tom said he had never thought of it, but readily agreed to do so. And here are the verses he composed:- Makes this old heart of mine bound with joy as before When I used to rejoice for that great day to come With your Blaeberry banks and your crowds and your fun I joined in the sport, in the dance, and the ring And I ran for the stone that the strong men would fling I remember it well, my whole muscles would crack When I struggled, but vainly, to carry it back An oh, how the maidens were fair to behold As their rich flowing locks hang in ringlets of gold And their dress was a mantle that modesty wore Their smile was the smile that taught men to adore When I saw the proud dames on the Hudson extreme I longed for the faces that were what they mean The cheek that is fashioned by nature's design Be it rosy or pale, it is nearer devine I miss the dear faces I knew long ago When I rambled your wild heath in youth's happy glow Like all bright hopes I cherished, alas they are gone And I notice a change on the ones coming on Your rich spreading valleys with plenty abound And the sea like a fond lover clasping you round Is ever the same, even grander I ween And yourself dearest island, a lovelier green The peaks of Slieve Donard more famous may be Where the Mountains of Mourne sweep down to the sea But a bird that is hatched in it's by ways remote Will come back to that spot and sing out its last note If I were to live the long years o'er again That I wasted away o'er the western main I would ne'er think of ranging, dear homeland from thee Every blade on that bank is a jewel to me Oh gracious Owen-and I worship here throne Every bud and gay blossom, green bank and grey stone- Like a thousand bright hopes in one anthem of praise At the touch of each cool breeze that heavens conveys Dear land of my birth with your purest of tone I have vented a few simple notes of my own Just to show how a heart to this cold world could steal And the clasp of a friend could rejoice and feel One day Tom Rogan and his sister were going off by horse and cart to sell some fowl in Ballynahinch. Tom's father gave him some harrow pins and the sock of a plough to get mended by Pat Grant, the blacksmith. Tom passed on the instructions to the blacksmith in the following lines:- Dear Sir, You will find enclosed within. A sock, likewise some harrow pins. And when from town I do arrive. You shall have them ready for to drive. To instruct you how I want them done There's two too short and of them make one And with the exception of these two Just sharp the rest and that will do The sock she wants but slight repair I think she will do for to square But while the hammer is in your hand You could chop her gently towards the land I'm for the town some fowl to sell I'll be back by ten if all goes well And as my hurry is so great I hope you won't ask me to wait For daddy he will sow today Two acres and a half of lea And over it sure I must creep And harrow it before I sleep Around the cottage where I dwell. The furrows are tough and hard to tease. So sharp them careful like a friend. That they may do their work to please. And if my name you do not know it, I'm your obedient servant Tom the Poet. PAT GRANT'S GREYHOUND The Pat Grant referred to in the above poem kept a greyhound at the Forge, and one time he took it to the race at a dog course in Mourne. Next day Pat was puffing to all and sundry about the success of his dog, but so notorious was he for exaggerating that not one believed a word he said. Amongst those who were kept waiting for hours to get little jobs done while Pat told and re-told his story, was Tom Rogan, and on the way home Tom "immortalised". Pat's greyhound in the following verses:-
When Grant and his greyhound left Clara behind And straight up to Mourne their courses they did steer All the men stood amazed as this greyhound drew near Ladly fal lol da do Ladly fal lol da dee. Now this great Mourne dog course is one of renown It's well represented both by country and town And what would take first it was everyone's chat But I slipped through the crowd and I enquired for Pat Chorus- Said I "Where's the greyhound that came from the Forge With his long timbered muscles so limber and large? You might think he looked small compared with the rest But before e'er he leaves you'll find he's the best" Chorus- Says Shaw quite amused as he smiled to the crowd "Is Pat going to venture when others are cowed?" Says Pat "I don't mind I can stand till I get beat For the sake of the sport, sir I'll try you to a heat" Chorus - The dogs were got ready, the hare was let go As each flew from his slip-mind neither was slow Britannia's proud Rose or Master McGra' Never tipped is as fast as did Patrick and Shaw Chorus - But pride gets a downfall, and sometimes it pays. It teaches a fellow henceforth to be wise. Before e'er Shaw got a haunch at her bun. Grant cocked up her heels and that ended the fun Chorus - Now all you brave sportsmen that have money to spare Don't miss the next coursing, for Pat will be there And don't be afraid your last penny to bet For he'll give them a tanning that they'll never forget Chorus - How many people remember the Flute Band of Drumnaquoile in the early twentieth century? Mr. John Milligan of Dunturk talks of the band's formation and of the bid days they had when they visited the local towns of Castlewellan, Newcastle, Dundrum, Downpatrick, Ardglass, Killough, and Dromara. Tom Rogan, whose poems Mr. Milligan takes such a delight in reciting and singing, was one of the main founders. Tom played a flute and other flautists whom Mr. Milligan recalls were Jim Laverty, John Laverty, Christie Kelly, Hugh Murray, Michael Flynn, Peter Flynn, and Paddy Smith, Dan O'Connor played the cymbals and Joe Flanagan was poleman. Mr. John Milligan himself was the big drummer, and standing a good six feet and built in proportion, a strapping brass drummer he must have been. The side drummers were Loughlin Lenaghan, Tom Trimby, Patrick O'Connor, and Terence Flanagan, Daniel O'Connor and Charles Lenaghan (Belfast). A striking feature of that lively Drumnaquoile Band was their headdress. This consisted of a white feather clasped to the side brim of hats, which were turned up in cockade fashion. "The first day we appeared in Castlewellan with the new hats", chuckled Mr. Milligan, "we took the whole town with us." Suc display, of course, could not go by without a few verses from Tom Rogan to commemorate the event, and next day he penned the following poem:- And it isn't my intention to delay Only just while I am tellin' what took place in Castlewellan On our National Apostle Festal Day For to give a clear description would be to great an affliction And it would probably delay me quite a while As time's to scarce for writing it leaves the object most inviting- That's the headdress of the Band of Drumnaquoile So you bandsmen all I pray, when next comes St. Patrick's Day You may all be dressed out in proper style If then we meet together see you have a hat and feather In the fashion of the Boys of Drumnaquoile It's my duty now to mention - and I don't wish to cause contention So I hope you won't reproach me for that same And I'm not exaggerating when those bandsmen's dress I'm stating I only feel I ought to sing their fame I don't say but every band on that day looks great and grand Yet there's "good enough" and still a "better style" But it was everyone's impression that the first and foremost mention Was the headdress of the Band of Drumnaquoile They're so nicely situated, and their style so elevated By a feather situated on the side And the harp shines down below it in remembrance proud we show it Of our bard and chief and poet Erin's pride Their colour it is green, as was ordered by the Queen To be worn by the sons of Erin's isle But did she hate the colour as all who resigned before her We would wear it, would the Boys of Drumnaquoile May time ne'er fade their grandeur or mischance reduce their splendour May the gallant lads that wore them never fail But with hearts bold and unfearing, may they spring to aid old Erin Or slay the knife who would her rights assail And on each St. Patrick's Day may her band so stately play For to honour the Apostle of our Isle Unto each Irish heart I just wish as brave a part And to the gallant sons of Drumnaquoile But I must now decline composing as my muse is now reposing And thoughts of the future fill my heart with woe For the misery of our nation - it might cause our separation And scattered we might wander to and fro And when each his race has run and his life of misery done And his bones perhaps in some foreign distant soil May there then be young hearts growing with as true a spirit glowing As to wear the famous hats of Drumnaquoile. |